Tag: gender inequity

Did He Lie, Mom? by Fiona Tinwei Lam

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“Talking to my son about the scandal over Greg Mortenson’s Three Cups of Tea” TheTyee.ca

Greg Mortenson, author

Like the four million others who had purchased Three Cups of Tea, I was moved by Greg Mortenson’s story of how he came to build schools in Pakistan and Afghanistan. Back in 2007, the book’s focus on cross-cultural understanding and forging strong grassroots relationships with local communities seemed to provide a much-needed counterweight to news stories about the Taliban, suicide bombers, and realpolitik manoeuvring by western states in the Middle East and central Asia. In view of increasing troop deployments to Afghanistan, and mounting combat and civilian mortalities with no end in sight, Mortenson seemed to offer a higher-minded, peaceful and effective strategy to address the roots of terrorism.

I read the kids’ version of the book, Listen to the Wind, to my son several times while he was in kindergarten. The picture book version depicts Mortenson’s journey to the impoverished community of Korphe, where he is nursed back to health after a failed mountain-climbing venture, and where he decides to build his first school. My son had heard about the war in Afghanistan and had asked about the reasons behind the conflict and the casualties. I wanted him to have a more balanced, complex view of the situation that would go beyond media stereotypes of intolerant hostile religious fanatics or passive, hapless victims. The book showed him that there were children just like him living in that part of the world, who had parents and leaders that deeply valued what education could bring to their communities.

Continue reading “Did He Lie, Mom? by Fiona Tinwei Lam” →

Mary Woodbury tracks her writing history at Women & Words

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On June 9, 2011, Mary Woodbury spoke as part of  a panel discussion about “Women & writing: right on track… or backtracking? — an event organized during Women & Words: Summer Writing Week. This annual series of June writing workshops and readings is in its eighteenth year of programming by the Faculty of Extension, University of Alberta. What follows is Mary’s talk:
 
 

 

It started in the fall of 1974…. I’ve got one advantage over the other panelists, I have more years of experiencing the rise and fall, rise and struggle, rise and shine of women in the last two thirds of the 20th century. I was born when girls couldn’t bounce basketballs more than twice because they might damage their feminine organs. When I told the Continue reading “Mary Woodbury tracks her writing history at Women & Words” →

Christine Jackman on War of Words in the The Australian

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War of Words  in The Australian

Christine Jackman writes on verbal cyber attacks …the downside of anonymous comments….
(with thanks to Penney Kome & Louise Dulude for link)

“Every now and then, I wonder whether I should be watching my back, but I just shake those thoughts off and get on with it. I’ve never discussed this issue publicly before, because I’m out there encouraging people to speak out – which is paramount to creating change. So I don’t want to put anyone off.”

And therein lies the Catch-22 for women in the cyber-firing line. On the one hand, they believe it is essential to expose the level of abuse and misogyny that has flourished on the largely unregulated new media. On the other, they fear the only effect that would have is to discourage women from participating in public debates.

Says Tankard Reist, who occasionally re-Tweets or posts particularly vile comments: “I want to expose these people so my followers [on Twitter or her website] can see the battle we have, the ingrained hatred and contempt these people have for women… But I already know of young women who say they won’t write their own pieces or contribute to comments pages anymore because of the feedback they get.”

Although she condemns the sort of abuse thrown at men like Cummins and controversial male commentators like News Limited journalist Andrew Bolt, Tankard Reist says it is hard to imagine any man being subjected to the levels of personal intimidation – particularly, threats of sexual violence – that are part of life in the new media age for outspoken women.

Of course, there are still a few things the old and new media have in common, including the truisms that sex sells and so does controversy. So if you build a site where there is heated, colourful debate, the hits will come. And in an era where the media and newsmakers are still grappling with how to build stable, profitable audiences online, few moderators or hosts are willing to shut that down.

“Sure, it drives more traffic to a site,” Tankard Reist says of the sort of no-holds-barred slanging matches that often replace serious debate online. “But editors and moderators need to be more vigilant about not allowing their forums to become platforms for haters and trolls.”

Funnell agrees: “There’s a ‘lighten up squad’ out there where everyone says ‘if it’s too hot, get out of the kitchen’. But perhaps the kitchen shouldn’t be so hot in the first place. This is not just about women. It’s about any sort of hate speech that is systematically directed against any particular group, designed to intimidate them or shut them down. It’s about freedom of speech versus speech that defames, threatens or intimidates.”

Tankard Reist, who has an ear for popular culture, chimes in: “When you ask for moderation or regulation, the people who oppose it claim it’s because they believe in free speech. But they want to shut my speech down. It reminds me of the chorus of that song Ode to Women [by Your Best Friend’s Ex]. They all demand their right to freedom of speech, and yet guys like that are using it to sing: ‘Bitch, shut your mouth’.”

Scrupling Canadian women’s nonfiction writing

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to scruple

In a CBC-Radio interview on The Current, the distinguished Canadian peace activist and scientist Ursula Franklin introduced me to the Quaker tradition of “scrupling.” In response to my interest, Ursula Franklin emailed me in November 2010: “delighted that you understand my reasoning to revive the old notion of “scrupling” as an activity and the use of scrupling as a verb. Today we google. High time – I say- to scruple also.”

“To scruple” means “to hesitate as a result of conscience or principle.” This hesitation, a pause to reflect, is a move that invites a critical distance, a useful antidote to the status quo. The etymological root of “scruple” is —

from O.Fr. scrupule (14c.), from L. scrupulus “uneasiness, anxiety, pricking of conscience,” lit. “small sharp stone,” dim. of scrupus “sharp stone or pebble,” used figuratively by Cicero for a cause of uneasiness or anxiety, probably from the notion of having a pebble in one’s shoe. The verb meaning “to have or make scruples” is attested from 1620s.

Canadian women nonfiction writers need  a “small sharp stone” to prick at the conscience of editors, publishers, literary prize jurors and reviewers. To think about the context in which Canadian women’s nonfiction is produced, is to suddenly feel a pebble in one’s shoe, an irritation that irks.

We also need to prick at the psyches of those who minimize the value of writing, education, the arts, and critical thinking. Our ability to communicate ideas and insight to others makes us natural candidates for engagement in public discussion and debate. We need spaces to share information, to publish reviews and observations about writing and life, to invite writers to investigate the politics and poetics of our cultural life and our everyday.

Wouldn’t it be wonderful to locate a digital meeting place of writers and readers, an archive of work, a space for reviews and reflections. What would it look like? What would it do? How might it help us innovate in our own writing, share the insights of others, provide us with information about how to break down and through institutional barriers? How might it influence and inform? How might a collective writing space explore and undo limiting attitudes, even those that remain unspoken.  How could we make common cause to ensure that ethnocentrism and racism don’t remain the unarticulated status quo of the way things tend to work in our world? Continue reading “Scrupling Canadian women’s nonfiction writing” →

Vida on women’s writing in “The Best American Count” …

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Our most recent count examines the contents of the Best American anthologies in poetry, fiction, and essays. When we released our 2010 Count back in February, a common response from our readers was a request for more information about the data behind our pie charts. With that in mind, we have expanded our presentation to include the tables shown below, which are based on the spreadsheets we use to generate our Count pie charts. We think these tables better represent the data, and reveal more of the complex set of questions and issues raised by it.
In the Best American Essays Series from 1986 through 2010, the numbers look dire across the board. Works by women accounted for only 29% of those published in the anthology. There was only one year in twenty-five that the number of works by women published in the anthology outnumbered the works by men.

Fiona Tinwei Lam – commentary “Mother’s Day’s Radical Roots”

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excerpt      …No mother is a cliché

For many reasons, it might have been easier for me to celebrate a commemoration of women’s pacifism and civic contributions while I was growing up. When I was in my teens and 20s, I found Mother’s Day particularly difficult. The social expectations around the holiday seemed to revolve around honouring a type of Leave it to Beaver domestic goddess. I could never find a card that could even start to describe the complex feelings I had about my complex mother. We had a challenging relationship. Even though I deeply respected and admired her devotion to medicine, her hard work and many talents in making music and art, I mostly tried to stay out of her way, leery of her sudden rages and tirades. Even back then, I realized she was parenting as best as she could with no parenting role models herself. During her childhood, her own mother had disliked her for being a daughter and had little to do with her upbringing. And my maternal grandmother in turn had been sold as a young girl by my great-grandmother, her mother. My class-conscious paternal grandmother was distant and disapproving.

As a result, I grew up somewhat alienated from the inherent glorification and idealization of motherhood embodied in Mother’s Day, forced to profess sentiments I didn’t necessarily feel, while being riddled with guilt for not feeling them.

When I became a mother myself, I questioned gender stereotypes and the unequal division of domestic duties the same way my own mother did, but gained a deeper understanding of the significance, challenges and pleasures of parenthood from the years of sleepless nights to the delights of receiving another bouquet of freshly plucked dandelions. Perhaps Anna Jarvis was right that greeting cards could never suffice: no parent can be reduced to a few cliché-ridden stanzas in a store-bought card….

via The Tyee – Mother’s Day’s Radical Roots.